| Required Texts | |||||||||||||||||||||||||||||
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Brunvand, Jan Harold. The Study of American Folklore. Hurston, Zora Neale. Mules and Men. ENGL 260 Coursepack for Eubanks |
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| Course Description and Objectives | |||||||||||||||||||||||||||||
"Folklore comprises the unrecorded traditions of a people; it includes both the form and content of these traditions and their manner of communication from person to person." Introduction to Folklore presents a general overview of the study of folklore and folklife. This course requires that you ask what folklore is, why we should study it, whether or not it will persist, what others have had to say about it, what folklore accomplishes for the communities that produce and consume it, who its audience is, when and how it comes about, and, generally speaking, why it matters. Those questions will not be exhaustively answered by the end of the semester, but your attempts to address them should reflect serious and thoughtful scholarly work. As a course fulfilling the social or political history requirement of the social science and history area of CORE distributive studies, this class will place an emphasis on the multidisciplinary approach required to study the field. As we will discover over the course of the semester, folklore is an inherently complex category of cultural practices, and as the four definitions offered above should indicate, even providing a clear definition of the field is difficult. All of those examples are from the first chapter of the course textbook, and the problem of defining folklore is hardly resolved as the text (or the course) progresses. Because folklore takes so many forms in so many media, we will rely on several means of collecting, analyzing, and presenting the narratives, materials, and customs of the folk. Additionally, you will be given the opportunity to explore your own folklores; that work should both complement and complicate your notion of folklore and your understanding of culture. Over the course of the semester, you will be expected to respond critically to the many competing definitions of folklore, but the emphasis of your work will be an application of theory. We will devote significant class time to establishing a useful sense of folklore so that you will be better equipped to discuss the examples you will be required to collect from the field; our classroom discussion of folklore in the abstract must be complemented by application of those ideas to real-world folklores. Additionally, we will address the status of the folk in contemporary American culture -- it is tempting to insist that there is somehow less folklore in our postmodern world. Your work should be informed by that notion. |
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| Policies | |||||||||||||||||||||||||||||
Much of our class meetings will be devoted to discussion, and part of your final course grade will reflect class participation. I will introduce concepts, methods, and contexts with lectures, but your role in this class cannot be a passive one. In order to facilitate your success, you must do the following:
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| 3 Sept | Introduction. Syllabus and Course Policies. | |
| 5 Sept | Defining the Discipline(s). Fieldwork | The Study of American Folklore Chapters 1 and 2 |
| 8 Sept | *Folk Groups | SAF Chapter 3 |
| 10 Sept | *Oral Folklore: Speech and Naming,Proverbs, Riddles | SAF Chapters 4 - 6 |
| 12 Sept | *Oral Folklore: Rhymes, Folk Poetry | SAF Chapter 7 |
| 15 Sept | *Oral Folklore: Myths, Motifs, Legends, Anecdotes | SAF Chapters 8 and 9 |
| 17 Sept | *Oral Folklore: Myths, Legends, Folktales, Jokes, Tall Tales | SAF Chapter 10 |
| 19 Sept | Class Cancelled for Hurricane Isabel | |
| 22 Sept | Zora Neale Hurston in the field | Mules and Men, "Foreword," "Introduction," "Afterword," Ch 1 - 3 (Part 1) |
| 24 Sept | Zora Neale Hurston in the field | Mules and Men, Ch 4 - 10 (Part 1) |
| 26 Sept | *Oral Folklore: Urban Legends | |
| 29 Sept | *Folk Music: Folksongs and Ballads | SAF Chapters 11 and 12 |
| 1 Oct | *Folk Music: Forms and Styles | SAF Chapter 13 |
| 3 Oct | Special Session: Popular Culture and Folk Music | |
| 6 Oct | Special Session: Performance and Persona: The Traditional Artist | Guralnick, "The Howlin' Wolf" Pearson, "Well, that's it, that's my life story" |
| 8 Oct | *Customary Folklore: Superstitions | SAF Chapter 14 |
| 10 Oct | *Customary Folklore: Customs and Festivals | SAF Chapter 15 |
| 13 Oct | *Customary Folklore: Dance and Drama | SAF Chapter 16 |
| 15 Oct | Presentations of Campus Collections | |
| 17 Oct | Presentations of Campus Collections | Campus Folklore Collection |
| 20 Oct | *Customary Folklore: Gestures | SAF Chapter 17 |
| 22 Oct | *Customary Folklore: Games | SAF Chapter 18 |
| 24 Oct | Midterm | |
| 27 Oct | Folklife, Folkways, Folklore? Redefining the Discipline | SAF Chapter 19 |
| 29 Oct | *Material Folklore: Architecture | SAF Chapter 20 |
| 31 Oct | *Material Folklore: Crafts and Art | SAF Chapter 21 |
| 3 Nov | Special Session: Outsider Art and Folk Art | Manley, "'It Ain't No Hound Dog, Maybe, But It Believe It's Some Kinda Critter Anyway'" Collection Project Proposal |
| 5 Nov | Outsider Art cont'd. | |
| 7 Nov | *Material Folklore: Costumes, Clothing, Bodylore | SAF Chapter 22 |
| 10 Nov | *Material Folklore: Foodways | SAF Chapter 23 |
| 12 Nov | Zora Neale Hurston in the Field: Hoodoo | Mules and Men, Ch 1 -3 (Part 2) |
| 14 Nov | Zora Neale Hurston in the Field: Hoodoo | Mules and Men, Ch 4 - 7 (Part 2) |
| 17 Nov | Zora Neale Hurston in the Field: Life-Writing and Ethnography | |
| 19 Nov | Special Session: Maryland and D.C. Folklore | |
| 21 Nov | Special Session: Folklore and Literature | Kerouac, from On the Road |
| 24 Nov | Special Session: Folklore and Film | |
| 26 Nov | Class Will Not Meet | |
| 28 Nov | Thanksgiving | |
| 1 Dec | Presentations of Final Collection Project | |
| 3 Dec | Presentations, cont'd. | |
| 5 Dec | Collection Project Writing Workshop | |
| 8 Dec | Presentations, cont'd. | |
| 10 Dec | Presentations, cont'd. | |
| 12 Dec | Presentations, cont'd. | |
| 20 Dec | Final Exam (8:00-10:00 A.M.) |