Introduction to Folklore

English 260

Section 0701

Fall 2003

dave eubanks

Office: 1219 Preinkert
Office Hours: MW 12:30-2:00
Office Phone: x57618
    


Required Texts
Brunvand, Jan Harold. The Study of American Folklore.
Hurston, Zora Neale. Mules and Men.
ENGL 260 Coursepack for Eubanks
 
Course Description and Objectives
"Folklore comprises the unrecorded traditions of a people; it includes both the form and content of these traditions and their manner of communication from person to person."

"Folklore is the traditional, unofficial, noninstitutional part of culture."

"Generally speaking, then, folklore may be defined as those materials in culture that circulate traditionally among members of any group in different versions, whether in oral form or by means of customary example, as well as the processes of traditional performance and communication."

"Folklore is what folklorists study."

Jan Brunvand, The Study of American Folklore

Introduction to Folklore presents a general overview of the study of folklore and folklife. This course requires that you ask what folklore is, why we should study it, whether or not it will persist, what others have had to say about it, what folklore accomplishes for the communities that produce and consume it, who its audience is, when and how it comes about, and, generally speaking, why it matters. Those questions will not be exhaustively answered by the end of the semester, but your attempts to address them should reflect serious and thoughtful scholarly work.

As a course fulfilling the social or political history requirement of the social science and history area of CORE distributive studies, this class will place an emphasis on the multidisciplinary approach required to study the field. As we will discover over the course of the semester, folklore is an inherently complex category of cultural practices, and as the four definitions offered above should indicate, even providing a clear definition of the field is difficult. All of those examples are from the first chapter of the course textbook, and the problem of defining folklore is hardly resolved as the text (or the course) progresses.

Because folklore takes so many forms in so many media, we will rely on several means of collecting, analyzing, and presenting the narratives, materials, and customs of the folk. Additionally, you will be given the opportunity to explore your own folklores; that work should both complement and complicate your notion of folklore and your understanding of culture.

Over the course of the semester, you will be expected to respond critically to the many competing definitions of folklore, but the emphasis of your work will be an application of theory. We will devote significant class time to establishing a useful sense of folklore so that you will be better equipped to discuss the examples you will be required to collect from the field; our classroom discussion of folklore in the abstract must be complemented by application of those ideas to real-world folklores.

Additionally, we will address the status of the folk in contemporary American culture -- it is tempting to insist that there is somehow less folklore in our postmodern world. Your work should be informed by that notion.

 
Policies
Much of our class meetings will be devoted to discussion, and part of your final course grade will reflect class participation. I will introduce concepts, methods, and contexts with lectures, but your role in this class cannot be a passive one. In order to facilitate your success, you must do the following:
  • Read. It is absolutely necessary that you read all material on time.
  • Participate. Good class participation means thoughtful discussion (which should also stimulate strong ideas for your written work), so please devote some time to identifying issues that you think deserve attention in class. Do not hesitate to respond to my questions or your peers' comments, and do not be afraid to ask questions of your own.
  • I encourage you to take advantage of my office hours and to send along questions via email. Please understand that the moments immediately before and after class are among the worst to have a conversation with me. If you have an important question or something you need to let me know about (an impending absence, concerns about an assignment, etc.) please pass that along in writing or during office hours.
  • Attend. You are expected to be present for our meetings. Class participation cannot be "made up" with other assignments, and our discussions will be impossible to reproduce. If you do miss a class meeting, you are responsible for contacting a peer in order to determine what you've missed. You are also expected to arrive on time.
  • Turn off your phones. Don't talk while others are speaking. Respect your colleagues.
 
Requirements
Students are responsible for participating in one brief group presentation in which they both direct and enrich class discussion. Early in the semester, small groups will select days/topics on which they will present (note: only days marked with an asterisk are available for these presentations). You may elect to bring in examples of the material covered in the reading; you may present a series of questions to stimulate class discussion; alternatively, you may develop (after consulting with me) another method. Whatever you choose to do, I do ask that you give me a general outline of your plan at least one day before the class meeting. You may notify me of your plan by email, but feel free to see me during my office hours. These presentations should never be simple review sessions for the material covered in the class meeting's reading; in other words, while we do want to facilitate general comprehension of the reading, presentations should do more than restate what we found in the text.

On October 17, you will submit a 2-3 page campus folklore collection. On either October 15 or 17, you will present that collection to the class.

On October 24 there will be a midterm examination.

On November 3, you will submit a 1 page formal proposal for your final collecting project. This proposal must be supported by preliminary research.

The final project for this course, due at the beginning of the last regular class meeting (12 Dec), is a collecting project for which you will be required to do a substantial amount of fieldwork, record and interpret your findings, and present that research and analysis in the form of a 7-8 page paper. Additionally, you will present your work to the class at the end of the semester.

On December 20, there will be a final examination.

Occasionally, you will be asked to complete informal assignments, including short response papers, homework, and quizzes. While these exercises will not receive "letter" grades, they will be considered part of your Class Participation grade.

 
Academic Integrity
All work must be compliant with the university's Code of Academic Integrity. Please visit http://www.studenthonorcouncil.umd.edu/code.html, as you are responsible for understanding these university policies and will be expected to adhere to them.

All written assignments should include the university's Honor Pledge, handwritten and accompanied by your signature. The pledge is as follows: "I pledge on my honor that I have not given or received any unauthorized (or unacknowledged) assistance on this assignment/examination."

 
Special Circumstances
If you have a registered disability that requires accommodation, please see me immediately. If you have a disability and have not yet registered with Disability Support Services in the Shoemaker Building (x47682 or x57683 TDD), you should do so promptly. Should any other special circumstances affect your work this semester, let me know as soon as possible.
 
Grading
Grades are calculated based on the following distribution:
 
Final Collection Project and Presentation: 25%
Final Exam: 25%
Midterm Exam: 15%
Participation, homework, quizzes: 15%
Campus Folklore Collection and Presentation: 10%
Collection Project Proposal: 5%
Small Group Presentation: 5%

Syllabus

This syllabus is subject to revision, but you will be notified well in advance of any changes.

3 Sept Introduction. Syllabus and Course Policies.  
5 Sept Defining the Discipline(s). Fieldwork The Study of American Folklore Chapters 1 and 2
8 Sept *Folk Groups SAF Chapter 3
10 Sept *Oral Folklore: Speech and Naming,Proverbs, Riddles SAF Chapters 4 - 6
12 Sept *Oral Folklore: Rhymes, Folk Poetry SAF Chapter 7
15 Sept *Oral Folklore: Myths, Motifs, Legends, Anecdotes SAF Chapters 8 and 9
17 Sept *Oral Folklore: Myths, Legends, Folktales, Jokes, Tall Tales SAF Chapter 10
19 Sept Class Cancelled for Hurricane Isabel  
22 Sept Zora Neale Hurston in the field Mules and Men, "Foreword," "Introduction," "Afterword," Ch 1 - 3 (Part 1)
24 Sept Zora Neale Hurston in the field Mules and Men, Ch 4 - 10 (Part 1)
26 Sept *Oral Folklore: Urban Legends
29 Sept *Folk Music: Folksongs and Ballads SAF Chapters 11 and 12
1 Oct *Folk Music: Forms and Styles SAF Chapter 13
3 Oct Special Session: Popular Culture and Folk Music
6 Oct Special Session: Performance and Persona: The Traditional Artist Guralnick, "The Howlin' Wolf"
Pearson, "Well, that's it, that's my life story"
8 Oct *Customary Folklore: Superstitions SAF Chapter 14
10 Oct *Customary Folklore: Customs and Festivals SAF Chapter 15
13 Oct *Customary Folklore: Dance and Drama SAF Chapter 16
15 Oct Presentations of Campus Collections
17 Oct Presentations of Campus Collections Campus Folklore Collection
20 Oct *Customary Folklore: Gestures SAF Chapter 17
22 Oct *Customary Folklore: Games SAF Chapter 18
24 Oct Midterm  
27 Oct Folklife, Folkways, Folklore? Redefining the Discipline SAF Chapter 19
29 Oct *Material Folklore: Architecture SAF Chapter 20
31 Oct *Material Folklore: Crafts and Art SAF Chapter 21
3 Nov Special Session: Outsider Art and Folk Art Manley, "'It Ain't No Hound Dog, Maybe, But It Believe It's Some Kinda Critter Anyway'"
Collection Project Proposal
5 Nov Outsider Art cont'd.
7 Nov *Material Folklore: Costumes, Clothing, Bodylore SAF Chapter 22
10 Nov *Material Folklore: Foodways SAF Chapter 23
12 Nov Zora Neale Hurston in the Field: Hoodoo Mules and Men, Ch 1 -3 (Part 2)
14 Nov Zora Neale Hurston in the Field: Hoodoo Mules and Men, Ch 4 - 7 (Part 2)
17 Nov Zora Neale Hurston in the Field: Life-Writing and Ethnography
19 Nov Special Session: Maryland and D.C. Folklore
21 Nov Special Session: Folklore and Literature Kerouac, from On the Road
24 Nov Special Session: Folklore and Film
26 Nov Class Will Not Meet
28 Nov Thanksgiving  
1 Dec Presentations of Final Collection Project
3 Dec Presentations, cont'd.
5 Dec Collection Project Writing Workshop
8 Dec Presentations, cont'd.
10 Dec Presentations, cont'd.
12 Dec Presentations, cont'd.
20 Dec Final Exam (8:00-10:00 A.M.)