Introduction to the Novel

English 241

Section 0801

Fall 2003

dave eubanks

Office: 1219 Preinkert
Office Hours: MW 12:30-2:00
Office Phone: x57618
    


Required Texts
Behn, Oroonoko (W.W. Norton) (also available on www)
Conrad, Heart of Darkness (Penguin)
Delillo, White Noise (Penguin)
Faulkner, As I Lay Dying (Vintage)
Hurston, Their Eyes Were Watching God (Harper)
Kingsolver, The Poisonwood Bible (Harper)
Shelley, Frankenstein (W.W. Norton Critical)
Twain, Pudd'nhead Wilson (NAL)
 
Objectives
Introduction to the Novel presents students with a survey of the genre. We will investigate issues raised by eight representative texts, including questions of form, tradition, identity, culture, race, class, gender, nation, and the place of literature in each of those structures. Above and beyond these categories, though, we will address the ways the novel in English reflects and affects the ways we understand the concept, "knowledge." Are novels just lengthy works of fiction? Are they reliable versions of the way things are? Do they merely serve as entertainment? Are they exercises in political thought? How does the way a book is written indicate the way its readers understand their lives? Novels may reflect what their communities of writers and readers know, but they also influence what they know. We will devote a good deal of attention to those phenomena.

There is a wealth of novels that might have constituted this course's reading list. Our selection is hardly perfect because it necessarily leaves out many important texts. We will do our best to bear that in mind and to address the question of canonicity. That is, why do some books get taught in literature courses, while others are reserved for the beach? Better yet, why do these eight books appear on this syllabus, while another version of the same class might include an entirely different set of novels?

 
Policies
Much of our class meetings will be devoted to discussion, and part of your final course grade will reflect class participation. I will introduce authors and their works with lectures, and I will present significant critical issues, but your role in this class cannot be a passive one. In order to facilitate your success, you must do the following:

  • Read. Most of your class preparation will be spent reading and developing responses to novels. I will give specific guidelines for what reading is due each class day (i.e., you will not be expected to finish novels by the first meeting devoted to them; I will give you pages or sections to complete). It is absolutely necessary that you read on time. If there are works on the syllabus with which you are already familiar, re-read them. The best responses to literature are always the product of multiple readings.
  • Participate. Good class participation means thoughtful discussion (which should also stimulate strong ideas for your written work), so please devote some time to identifying issues that you think deserve attention in class. Do not hesitate to respond to my questions or your peers' comments, and do not be afraid to ask questions of your own.
  • I encourage you to take advantage of my office hours and to send along questions via email. Please understand that the moments immediately before and after class are among the worst to have a conversation with me. If you have an important question or something you need to let me know about (an impending absence, concerns about an assignment, etc.) please pass that along in writing or during office hours.
  • Attend. You are expected to be present for our meetings. Class participation cannot be "made up" with other assignments, and our discussions will be impossible to reproduce. If you do miss a class meeting, you are responsible for contacting a peer in order to determine what you've missed. You are also expected to arrive on time.
  • Turn off your phones. Don't talk while others are speaking. Respect your colleagues.
 
Requirements
You will write two critical papers. Each must be typed, with one-inch margins, in 12-point font. Please do not submit a cover page; instead, include title, name, etc. on the first page of your paper. The first (3-4 pages) is due November 7. The second (7-8 pages) is due December 12. Both assignments are exercises in applying the concepts discussed in class to the works read for class. You must show that you have not only read the work you address, but that you have interpreted it, that you have responded to a problem it raises, and that you have defended that response sufficiently. That is, you must develop and support an argument. As you read for class, you should note passages that stimulate your interest, since you will be required to support your papers' arguments with textual evidence. A note about late papers: for class each day a paper is late, I will lower the grade by one letter (e.g., an A would become a B, a B becomes a C, etc.). If the paper is more than one week late, I will not accept it, and you will receive no credit for that assignment. If you know a paper will be late, please discuss that with me in advance, and we will arrange a later due date; if your paper is late because of a university-sanctioned excuse and you provide documentation (this means a doctor's note or a note from a university official) in a timely manner, your grade will of course not be lowered. Whatever the cause for a paper's lateness, please do not hesitate to discuss it with me.

There will be a midterm on October 24.

There will be a final examination on December 17.

I will also assign approximately 10 short response assignments. These will take the form of 2-3 paragraph responses to discussion questions distributed in class. Generally, they will be distributed at the end of a class meeting, written outside of class, and turned in at the beginning of the next class meeting. However, I may ask you to do a few during the first minutes of class. If you fail to submit one of these when it is due, you will receive no credit on that assignment. At the end of the semester, I will drop the lowest score.

 
Academic Integrity
All work must be compliant with the university's Code of Academic Integrity. Please visit http://www.studenthonorcouncil.umd.edu/code.html, as you are responsible for understanding these university policies and will be expected to adhere to them.

All written assignments should include the university's Honor Pledge, handwritten and accompanied by your signature. The pledge is as follows: "I pledge on my honor that I have not given or received any unauthorized (or unacknowledged) assistance on this assignment/examination."

 
Special Circumstances
If you have a registered disability that requires accommodation, please see me immediately. If you have a disability and have not yet registered with Disability Support Services in the Shoemaker Building (x47682 or x57683 TDD), you should do so promptly. Should any other special circumstances affect your work this semester, let me know as soon as possible.
 
Grading
Grades are calculated based on the following distribution:
 
Short Response Assignments: 10%
Participation: 10%
Midterm: 15%
Critical Paper 1: 15%
Critical Paper 2: 25%
Final: 25%

Syllabus

This syllabus is subject to revision, but you will be notified well in advance of any changes.

3 Sept Introduction, review of policies and syllabus  
5 Sept Behn, Oroonoko
Johnson, Rambler #4
 
8 Sept Behn, Oroonoko  
10 Sept Shelley, Frankenstein Volume I
12 Sept Shelley, Frankenstein Volume II
15 Sept Shelley, Frankenstein Volume III
17 Sept Shelley, Frankenstein  
19 Sept Class Cancelled for Hurricane Isabel  
22 Sept Shelley, Frankenstein  
24 Sept Twain, Pudd'nhead Wilson Chapters 1 - 8
26 Sept Twain, Pudd'nhead Wilson Chapter 9 - 17
29 Sept Twain, Pudd'nhead Wilson Chapter 18 - Conclusion
1 Oct Twain, Pudd'nhead Wilson  
3 Oct Conrad, Heart of Darkness Part 1
6 Oct Conrad, Heart of Darkness Part 2
8 Oct Conrad, Heart of Darkness Part 3
10 Oct Conrad, Heart of Darkness  
13 Oct Faulkner, As I Lay Dying Beginning - 83
15 Oct Faulkner, As I Lay Dying 84 - 176
17 Oct Faulkner, As I Lay Dying 177 - end
20 Oct Faulkner, As I Lay Dying  
22 Oct Faulkner, As I Lay Dying  
24 Oct Midterm  
27 Oct Hurston, Their Eyes Were Watching God Chapters 1 - 7
29 Oct Hurston, Their Eyes Were Watching God Chapters 8 - 14
31 Oct Hurston, Their Eyes Were Watching God Chapters 15 - 20
3 Nov Hurston, Their Eyes Were Watching God  
5 Nov Hurston, Their Eyes Were Watching God  
7 Nov Hurston, Their Eyes Were Watching God
Paper 1
 
10 Nov Delillo, White Noise "Waves and Radiation"
12 Nov Delillo, White Noise "The Airborne Toxic Event"
14 Nov Delillo, White Noise  
17 Nov Delillo, White Noise "Dylarama"
19 Nov Delillo, White Noise  
21 Nov Delillo, White Noise  
24 Nov Kingsolver, The Poisonwood Bible "Genesis"
26 Nov Class Will Not Meet  
28 Nov Thanksgiving  
1 Dec Kingsolver, The Poisonwood Bible "The Revelation" and "The Judges"
3 Dec Kingsolver, The Poisonwood Bible "Bel and the Serpent"
5 Dec Kingsolver, The Poisonwood Bible "Exodus"
8 Dec Kingsolver, The Poisonwood Bible "Song of the Three Children"
10 Dec Kingsolver, The Poisonwood Bible "The Eyes in the Trees"
12 Dec Course Review
Paper 2
 
17 Dec Final Exam (8:00-10:00 A.M.)