American Literature: 1865-present

English 222

Sections 0401 and 0501

Fall 2002

dave eubanks


    
Required Texts
Objectives
Policies
Requirements
Academic Integrity
Grading
Syllabus


Contact Information
Office: Temporary Building I (#072), Desk 15
Office Phone: 405-3845
Office Hours: Tu 10:45-12:15, W 1:00-2:30, and by appointment
Mail: 2101 SQH (Freshman Writing Office)
Email: eubankd@wam.umd.edu
 
Required Texts
Coupland, Douglas.Microserfs. (ReganBooks paperback)
Dellilo, Don. White Noise. (Penguin paperback)
Faulkner, William. As I Lay Dying. (Vintage paperback)
Fitzgerald, F. Scott. The Great Gatsby. (Scribner paperback)
Hurston, Zora Neale. Their Eyes Were Watching God. (HarperPerennial paperback)
Kingston, Maxine Hong. The Woman Warrior. (Vintage paperback)
Morrison, Toni. Beloved. (NAL paperback)
Twain, Mark. Puddn'head Wilson. (Signet paperback)
ENGL 222 course packet, available at BSOS copy center.
 
Objectives
ENGL 222 serves as an introductory survey of American literature since the Civil War. We will do a substantial amount of reading, and we will address many of the major issues that both influence and are influenced by American writers over the past one hundred and forty years. This course can hardly be thought of as a complete engagement with such a vast literary period-instead, we will critically read and discuss a broad array of works that make up versions (one might more wisely call them narratives) of American literature. While we will be attentive to a number of themes often brought to discussions of these writers and texts, our emphasis will be on the following: identity, form, periodization, memory, community, place and travel, and ideology. Throughout all of that discussion we will continually ask what makes this literature "American."

At the end of the semester, you should not expect to have unassailable responses to the poetry, essays, and fiction we address. Instead, you will have been exposed to several ways of reading and contextualizing those works, and you will have participated in the critical discourse surrounding them. You are expected to devote intellectual energy to that discourse as you devise informed answers to the questions raised by these texts and our discussion of them.

 
Policies
Much of our class meetings will be devoted to discussion. I will introduce authors and their works with lectures, and I will present significant critical issues, but your role in this class cannot be a passive one. In order to guarantee your success, you must do the following:

  • Read. Most of your class preparation will be spent reading and developing responses to novels. We will read pieces by several poets, short stories by two writers, and some non-fiction, but the overwhelming majority of material will be the eight longer works included in this course's plan. I will give specific guidelines for what reading is due each class day (i.e., you will not be expected to finish novels by the first meeting devoted to them; I will give you pages or sections to complete). It is absolutely necessary that you read on time. If there are works on the syllabus with which you are already familiar, re-read them. The best responses to literature are always the product of multiple readings.
  • Participate. Good class participation means thoughtful discussion (which should also stimulate strong ideas for your written work), so please devote some time to identifying issues that you think deserve attention in class. Do not hesitate to respond to my questions or your peers' comments, and do not be afraid to ask questions of your own.
  • Attend. You are expected to be present for our meetings.
  • Things that go without saying: Turn off your phones. Don't talk while others are speaking. Respect your colleagues.
 
Requirements
You will write two critical papers. The first (3-4 pages) is due October 29, and I will provide a number of thesis statements from which you will select one to defend. You may create your own, but it must be approved at least one week in advance. The second (7-8 pages) is due December 12, and you will determine your own topic and thesis. Both assignments are exercises in applying the concepts discussed in class to the works read for class. You must show that you have not only read the work you address, but that you have interpreted it, that you have responded to a problem it raises, and that you have defended that response sufficiently. That is, you must create and support an argument. As you read for class, you should note passages that stimulate your interest, since you will be required to support your papers' arguments with textual evidence. The format of these papers must follow MLA guidelines. A note about late papers: for each day a paper is late, I will lower the grade by one third (e.g., an A would become an A-, a B+ becomes a B, etc.). If the paper is more than one week late, it will receive an F. If you know a paper will be late, please discuss that with me in advance, and we will arrange a later due date; if your paper is late because of a university-sanctioned excuse and you provide documentation, your grade will of course not be lowered. Whatever the cause for a paper's lateness, please do not hesitate to discuss it with me.

There will be a midterm on October 17. It will consist of quote identification questions and short-answer questions.

There will be a final examination given at the time and date determined by the university's official examination schedule. It will consist of quote identification questions, short answer questions, and an essay question.

I will also assign between 8 and 10 short response assignments. These will take the form of 2-3 paragraph responses to discussion questions distributed in class. Generally, they will be distributed at the end of a class meeting, written outside of class, and turned in at the beginning of the next class meeting. However, I may ask you to do a few during the first minutes of class. If you fail to submit one of these, you will receive no credit on that assignment. At the end of the semester, I will drop the lowest two grades.

 
Academic Integrity
All written assignments must include the university's Honor Pledge, handwritten and accompanied by your signature. The pledge is as follows: "I pledge on my honor that I have not given or received any unauthorized (or unacknowledged) assistance on this assignment/examination."
 
Grading
Grades are calculated based on the following distribution:
 
Midterm: 15%
Short Response Assignments: 15%
Critical Paper 1: 20%
Critical Paper 2: 25%
Final: 25%

Syllabus

This syllabus is subject to revision, but you will be notified well in advance of any changes.

3 September Introduction to course, review of policies and syllabus  
5 September Dickinson, poems
Whitman, "Song of Myself"
coursepack
Dickinson Electronic Archives
The Walt Whitman Hypertext Archive
10 September Gilman, "The Yellow Wallpaper" coursepack
12 September Twain, Pudd'nhead Wilson beginning — chapter XI
17 September Twain, Pudd'nhead Wilson chapter XII — end
19 September Eliot, "The Love Song of J. Alfred Prufrock" coursepack
24 September Fitzgerald, The Great Gatsby beginning — chapter III
26 September Fitzgerald, The Great Gatsby chapter IV — chapter VI
1 October Fitzgerald, The Great Gatsby chapter VII — end
3 October Hemingway, In Our Time, selections coursepack
8 October Faulkner, As I Lay Dying beginning — p. 84
10 October Faulkner, As I Lay Dying p. 84 — p. 168
15 October Faulkner, As I Lay Dying p. 169 — end
17 October Hurston, Their Eyes Were Watching God beginning — chapter 5
Midterm Exam
22 October Hurston, Their Eyes Were Watching God chapter 6 — chapter 13
24 October Hurston, Their Eyes Were Watching God chatper 14 — end
29 October Ginsberg, poems coursepack
Paper 1 due
31 October Didion, essays coursepack
5 November Kingston, The Woman Warrior "No Name Woman" and "White Tigers"
7 November Kingston, The Woman Warrior "Shaman"
12 November Kingston, The Woman Warrior "At the Western Palace" and "Song for a Barbarian Reed Pipe"
14 November Dellilo, White Noise beginning — 105
19 November Dellilo, White Noise p. 109 — p. 163
21 November Dellilo, White Noise p. 167 — end
26 November Morrison, Beloved beginning — p. 105
28 November Thanksgiving
3 December Morrison, Beloved p. 106 — end
5 December Coupland, Microserfs chapter 1 — chapter 2
10 December Coupland, Microserfs chapter 3 — chapter 4
12 December Coupland, Microserfs
Paper 2 due
chapter 5 — chapter 6
19 December, 10:30-12:30 Section 0501 Final Exam
20 December, 1:30-3:30 Section 0401 Final Exam